> PQ Panel Discussions and Symposiums

As part of the celebration of the PQ’s 40th anniversary, this panel will look back at the origins of PQ and its growth through 1991. Discussion with the General Commissioner Arnold Aronson (USA).

Congress of International Organization of Scenographers, Theatre Architects and Technicians.

The aim of this discussion is to map and plan the involvement and presentation of the EU countries in the future Prague Quadrennial.

How did the PQ adapt to the Velvet Revolution, the fall of the Berlin Wall, and the political changes around the globe? What were the economic difficulties to overcome? What is PQ now? Discussion with the General Commisioner Arnold Aronson (USA).

A discussion about the current political turmoil and traumatising experience of ordinary people and its reflection of contemporary art across cultures.

The  meeting aims to  present the goals and the activities of the commission to a wider academic audience and to raise informal discussion on  the present and future of international exchange in theatre design and technology education across the world.

Presentation od International Organizations TTT, BEST, FRICTE, Theatre Education and Training Committee ITI/UNESCO.

Conference of  Working Group on Theatre Architecture of International Federation for Theatre Research (FIRT).

Experts and participants will respond to PQ 07. The discussions will include the analysis of themes, trends, exhibition styles, etc.

Conference of  Working Group on Theatre Architecture of International Federation for Theatre Research (FIRT).

Where does PQ go from here? What are the challenges? How do new technologies and digital media affect the future of an exhibition like PQ?

Working discussion aiming to strengthening the participation of countries from Asia, South America, Africa and South Pacific.

International conference on interdisciplinary making and reading of images in entertainment enviroments.

Electronic and digital technologies are challenging the liveness and presence of theatre. What is the future of theatre in the wake of these changes?

Does the fact of being an island country create an approach to design? Are there similarities among island countries from different parts of the world?